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Inside the Surroundings
Ryneš, Zdeněk ; Vojtěchovský, Miloš (referee) ; Klímová, Barbora (advisor)
The topic of this diploma thesis is a form of own personal space which is confronted with scene visuality used in film industry. It is about linking an existing and fictive (illusionary) environment. I can see the cinematographic space as an image of its physical equivalent. I do search for scenes in existing movies, which are charting the interiors of environments, where the movie is being set. I do use the camera moves and the ways of seeing the immediate surroundings as they are used in those scenes and I repeat them in my own private apartment. Screenplay structure comes from my apartment dispositions. The final dual channel video leads the spectactor through two levels of space in the same time.
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Personal space and social interaction in public transport: the case of intercity bus traveling
Lexová, Aneta ; Hájek, Martin (advisor) ; Matoušek, Petr (referee)
Bachelor thesis is devoted to the public transport as a space where everyday social interactions take place. This issue is watched on a specific case of intercity bus. The social interaction of bus passengers is seen as dramaturgical proceeding of actors in specific social surroundings. The aim of this work is to describe social interactions and definition of personal space in the intercity bus. The work is theoretically based on the works of Erving Goffman. Findings in the empirical part of the work are based on the qualitative research data. The data were collected using the participant observation method on the passengers of specific intercity bus. The main conclusions of the paper include that interactions in the intercity bus only take place in the exceptional cases or when boarding the bus and only in the form of complimentary question on the vacancy. People, even in such a cramped space which is given by the seating configuration, try to define their personal space. They mostly use their body (they sit on the seat closer to the corridor in the middle of the bus) or items like clothes and luggage which they put on the seat next to them. The work also describes reactions of passengers on the insufficient interaction space. Most people responded with civil inattention accompanied by some involvement....
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Personal space and social interaction in public transport: the case of intercity bus traveling
Lexová, Aneta ; Hájek, Martin (advisor) ; Matoušek, Petr (referee)
Bachelor thesis is devoted to the public transport as a space where everyday social interactions take place. This issue is watched on a specific case of intercity bus. The social interaction of bus passengers is seen as dramaturgical proceeding of actors in specific social surroundings. The aim of this work is to describe social interactions and definition of personal space in the intercity bus. The work is theoretically based on the works of Erving Goffman. Findings in the empirical part of the work are based on the qualitative research data. The data were collected using the participant observation method on the passengers of specific intercity bus. The main conclusions of the paper include that interactions in the intercity bus only take place in the exceptional cases or when boarding the bus and only in the form of complimentary question on the vacancy. People, even in such a cramped space which is given by the seating configuration, try to define their personal space. They mostly use their body (they sit on the seat closer to the corridor in the middle of the bus) or items like clothes and luggage which they put on the seat next to them. The work also describes reactions of passengers on the insufficient interaction space. Most people responded with civil inattention accompanied by some involvement....
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Inside the Surroundings
Ryneš, Zdeněk ; Vojtěchovský, Miloš (referee) ; Klímová, Barbora (advisor)
The topic of this diploma thesis is a form of own personal space which is confronted with scene visuality used in film industry. It is about linking an existing and fictive (illusionary) environment. I can see the cinematographic space as an image of its physical equivalent. I do search for scenes in existing movies, which are charting the interiors of environments, where the movie is being set. I do use the camera moves and the ways of seeing the immediate surroundings as they are used in those scenes and I repeat them in my own private apartment. Screenplay structure comes from my apartment dispositions. The final dual channel video leads the spectactor through two levels of space in the same time.
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